My Little Ties: Brony-wear for the Sophisticate

I make no efforts to hide the fact that I'm a huge fan of the children's TV show My Little Pony. The well written, smart series shows that brilliance and inspiration can be found anywhere. It proves that children's shows aren't all bumbling nonsense, or poorly drawn cartoons with adult humour shoe-horned in. I rarely talk about my MLP obsession due to the fact that many other people cover the subject thoroughly, while I enjoy the show on a much more passive level. However, when my friend Tom sent me a link to this amazing website that sells My Little Pony themed neckties, I had to do something to let the world know about them!

Of course, most people are probably thinking of gaudy christmas ties, or novelty ties with a giant garfield face on them. Neigh! (see what I did there?) These ties are incredibly subtle. I doubt you'd be able to tell what exactly is going on unless you were standing at an uncomfortable distance from the wearer. The repetitive pattern is cute, without being too in-your-face.

These patterned ties would hardly stand out at being childish or novel.

The ties are made of 100% silk, and currently come in 10 different styles. Most importantly, they are incredibly reasonably priced. I have no problem with someone who wants to drop loads of money on a nice tie (my dad has been found guilty of this on many occasions), but a novelty tie really shouldn't break the bank (even if it is a really, really nice not-so-novel novelty tie.). At $25 a piece, these ties fit that range perfectly. If you missed the link above and are interested, you can buy the ties here, at mylittleties.com

The Raritie: an obvious favourite

Bonus: the website even has a section on how to match your shirts to the tie you choose. This advice could be very necessary for the internet lurking "Brony", especially since most fans choose to show their love of the show through awful witty t shirts (ok, so I totally own a pony shirt. But it's only for sick days and sleeping in).

Images via MyLittleTies

Schiaparelli and Prada: Impossible Conversations

When I found I was coming to New York for the summer, the first thing I did was google the dates for the Schiaparelli and Prada exhibit at the Metropolitan Museum of Art. Both designers have been huge influences on me and my work, and I was incredibly excited to see how their very distinct styles could be put together. So I got together a plan and a friend, and we made our way to the upper east side to partake in this once in a lifetime event.

Trompe L'oeil pleating in Prada (left) and Schiaparelli (right)

The exhibit focuses on the idea of the two women being able to sit down together for a drink, and discuss their views on women, politics, and of course, fashion. Prada explains her focus on the "waist down", explaining that there are "so many things happening from the waist down, sex... giving birth, being attached to the earth"; while Schiap (depicted here by actress Judy Davis) explains that dressing from the waist up was important in her time, as cafes were becoming popular, and most women would be seen sitting down.

I really enjoyed this idea of these two women bantering on about their very distinct views. The videos (which you can view here, at the Met's website), combined with the quotes on the walls and in the exhibits, made them seem like dear friends that are comfortable enough with each other to tear down the other's work. A quote from Prada explaining why she would never collaborate with a conventional artist hangs right next to Schiaparelli's Cousteau and Dali inspired gowns.

"Fashion is art." ~ Elsa Schiaparelli

"Fashion is not art. Fashion designers make clothes and they have to sell them. We have less creative freedom than artists.” ~ Miuccia Prada

Images via vogue.co.uk

metmuseum.org

Sleep No More- A Really Long Review From What Should Be a Fashion Blog

I was considering not doing a review of the widely-acclaimed production Sleep No More, considering how many others have done such thorough reviews, but it’s been over 3 weeks and my mind is still floating with images of murder, treason, and witchcraft.

Photo via the New York Times.

A short synopsis: Sleep No More, a creation of London based theatre group Punchdrunk Emursive, is an interactive performance piece that takes place in a series of abandoned warehouses in Chelsea. The audience are free to move about the sets as easily as the actors, and drawers, desks, even seemingly “off limits areas” are fair game for the audience to explore, infiltrate and discover.

At the suggestion of many reviews and blog posts, my friends and I arrived early, and not without a few strong drinks in our systems. Going down a long, dark hallway, we ambled into coat check (mandatory) and were given our hotel “room key”. From there we were led up a blindingly dark staircase. Once we finally made it to the lounge, we were greeted by a few flirty waitresses in a cabaret style lounge. The wait staff and performers were dressed in early 20^th century garb: flapper dresses for the women and stylish waistcoats for the men. Choosing a small table near the piano, my friends and I sat down to compare “room keys”. Which were in fact stylized playing cards. Of the three of us, there was a 5 and two 4’s. I switched my four of spades out for a five of hearts— my two friends didn’t look so keen on the idea of being split up, but with my inhibitions lowered, I was in the mood for adventure. We were offered a shot of Absinthe “for the nerves” from one of the roaming waitresses; no sooner did we oblige, and they were calling people in to the hotel. My friends made a hasty exit, downing their drinks with gusto. Waiting for my number to be up, I went back to enjoying the soulful voice of the smooth jazz singer.

“Would all guests bearing the 5 card please step this way.” I anxiously followed the porter into an adjacent room, along with 10 or so other audience members. The door locks behind us and a slender, ethereal woman, introducing herself as Celeste, explains the ground rules as she and her cohorts hand us the now- iconic white, Venetian masks. “No speaking, don’t take off your mask, and if you need guidance, the black-masked people are your angels”. Easy enough for my wandering, excited, and more-than-a-little-inebriated mind to grasp.  We’re led into a freight elevator, and whisked away to several destinations.

The mask and the hotel playing card. I kept mine as souvenirs.

The elevator stops on different floors, and you can more or less get out whenever you choose (unless you’re let out on the fabled “Sixth Floor”, in which case you’ll be the only one permitted and the first to experience one of 16 different “intimate moments” with the cast). I wait until the very end, and am let out on the fifth floor. The actual play won’t begin until all the guests arrive (there are staggered arrival times in order to keep the intimate and foreboding tone of the show), so I immediately begin rummaging through drawers. I find letters addressed from Lady Macbeth to Macduff, an entire floor that appears to be a mental hospital, and a particularly frightening nursery with headless dolls suspended from the roof. Just as I am wondering what to make of this, I stumble into a room in which Lady Macbeth herself is locked behind a glass window. After much banging, but little screaming (spoken word is not a huge factor in this production), she exits the room and most of the audience follow her. Not wanting to fight a crowd, I elect to stay in the room and examine the dirty bathtub, stained in fake blood. I am soon distracted by a noise in the distance, and now have another actor to follow.

Much of the next 3 hours went along like this, stories of one actor weaving into another, themes playing over and over again, the entire scene resetting itself after an elaborate dance in the ballroom. Most reviews recommend picking one character and sticking with them the night, but I found this to be next to impossible. I followed one woman (a witch) for a short period of time, and often found myself in a dead run just to keep up. I instead resigned myself to taking in as much of the scenes as I could, and examining the smaller details.

Eventually, the mind begins to piece together the dreaded tale. That room back there with the dismembered dolls floating above a baby crib? Symbolism for Lady Macbeth’s ruthless murder of the MacDuff children. That abandoned room with the elaborate tented bed? Soon to be the scene of the crime; the murder of Banquo takes place here among the decorative pillows. The acting was surreal, the costumes stained by the dancers movements through blood, whiskey and tears. As you piece together the story of Macbeth for yourself (or not: a knowledge of the Scottish play is not a prerequisite for enjoying the impeccable costumes, flawless dance moves, and attention to detail brought to the scenery), you are taken captive in a world that becomes as real as the dirt smeared across the bedding.

Memorable moments:

• The death of Banquo was incredibly chilling, and one of the few times words were uttered throughout the play. The scenes following were well performed, and the cast’s anguish was acutely felt.
• The Candy Room! I was very pleased to find a room full of sweets to munch on, particularly since I came across it two hours in and dinner was so far behind me.
• The Final Act. I couldn’t help but let out a short gasp, truly out of fright, once the final banquet was over. Most of the audience stood in complete silence for 5 or more minutes before the confused clapping started, and to me that is the mark of a truly touching theatre experience.

What I would change:

• I was less than thrilled that coat check was not only mandatory (I don’t trust coat checks, and my bag was really small), but at a cost. If you are charging $85 for an event, and insist on having guests leave their things behind, the very least you can do is offer to store them for free.
• The hotel was too dark to begin. I understand the atmosphere is necessary, but slowly lowering the lighting in each room leading up to the lounge would have prevented myself and others from spending five or more minutes trying to go through the wrong door because the path wasn’t clearly lit. This was all before the masks, so it wasn’t really necessary to the atmosphere.

I consider the experience to be one of my defining moments of my time in New York, and I am already itching to return. After the night’s events, I reunited with my friends in the hotel lounge, where we traded stories.  One of the girls was gifted a necklace from a Witch, the other was entreated to assist Macbeth in his ritualistic dressing. We walked home together, sharing our stories and realizing that though we had set out to see the same play, we each came back with a slightly different idea of how things had unfolded. These minor discrepancies, while physically placing us apart, brought us together in the end.

The charm from the necklace my friend was given. She added it to her bracelet.

Movie Night in Bryant Park

Bryant Park is one of my favourite places to go in New York. Home to the New York Public Library, a carousel, a chess room and free reading room, the park is also known to hold free classes, concerts, and movie nights. While I'm usually too busy at work to enjoy the classes (most of which take place during the day or at lunch hour), I did manage to take in one of the movie nights with some friends. They were screening The Wizard of Oz, which was an incredibly fitting (and painfully heartbreaking!) goodbye movie for one of the girls headed back to England. This was also my first time ever seeing the film in full, so it was a nice setting for such a great classic.

True North Calling Me Home.

So much for actually having time to blog and post about it! I've been in the city for over 2 months now and regrettably, this is my first blog post since getting off the plane. I'm not sure if it's because I've been too busy at work, or because I simply don't have much to say. Some combination of the two.

The View from my Midtown Apartment

When I first arrived I must admit I was a little disappointed by New York. Everywhere I've lived up until now has been relatively clean. Vancouver is incredibly clean, and the only time I've ever even witnessed littering was during fireworks or some other huge event (still, shame on you! Is it that hard to take your trash home with you?). I was expecting New York to be quite a bit dirtier by definition, but nothing could have possibly prepared me for this:

I'm appalled that some people take so very little pride in the place they live!

So yes, the city does take some getting used to, even after all my careful planning and deliberating. I found that once I left midtown Manhattan (or just Manhattan in general), everything gets a little more exciting and a lot less touristy. Brooklyn is quite clean, and the one time I went to Queens I had no complaints. Central Park is of course beautiful, but nature doesn't just wander up and find you here like it does back home. You have to make more of an effort to find it. And the more time I spend without nature, the more I find I need it in my life.

Adventures in Interning 1.5

I'm pleased to announce that after months of careful planning, every detail regarding my trip is in place. At the end of this week I will be headed to NYC with papers in hand, ready to work. In addition to this, despite the fact that they were entirely booked up, my application for the Webster Apartments went through.  Now I have a place to stay, merely 5 blocks from where I will be interning.

Having extremely detailed plans makes me feel more control of my life, so I've been attempting to plan everything from the walk to work to what I'm going to do on my first weekend. I already have a cell phone plan picked out, as well as the nearest coffee shop that isn't a Starbucks mapped out, and directions on how to get to the library from my place. I already have a dry cleaners picked out, and the non-emergency police number programmed into my phone (I do that for every place I live). I won't tell you how many times I've "walked" down the street to work on google street view, but I will say that it was much more than once. There's a point at which planning becomes redundant; I reached that point 6 weeks ago. I'm ready to go!
It's nice to see things come together just as I planned, but I've still got a long ways to go before I'm where I need to be!

Happy Trails!

Girls Day at CurliQue

Last weekend I got a much needed makeover and manicure with a friend, compliments of the Blanche MacDonald students and CurliQue Beauty.

 The makeover was a fun, unexpected portion of the day. I planned only for manicures, but once they were done with my nails, the girl asked if we wanted to do a makeover. I take more of a foundation-and-mascara type of approach to my daily makeup routine, so it was nice to get some feedback on what I can do to update my look (without taking too much time).Of course, it's always nice to have someone compliment your skin for half an hour. Such incredible talent coming out of this Vancouver school: thanks girls for the makeover and makeup tips.

My friend Vicky (left) and me (right) after our makeovers.

The makeup and haircare selection at CurliQue is fantastic. They have rows upon rows of Bumble and Bumble, Makeup Forever, Kerastase, and other well known, high quality products you would expect from a boutique-style beautician. They also have some interesting, hard to find brands that I was introduced to by the extremely knowledgeable Blanche students and CurliQue staff. My personal favourite has to be Honoré Des Prés; I absolutely fell in love with their organic scents. I am very picky about perfumes, and I instantly fell in love with the heady, musky scents and crisp without being too flowery florals. $100 on a teeny tiny bottle might be a little hard to justify when I have a full bottle of Lovestruck by Vera Wang and Halston Woman (not to mention a trip to NYC coming up), so I opted out this time around.

They have student work on the walls! 

 As for the manicure, it was incredibly relaxing. The colour I chose is from Butter London's S/S 2012 collection. The creator of Butter London gets her inspiration straight from the runways of Paris, New York, and London. She takes note of designers collections for the season, and bases her formaldehyde-free, vegan nail polish around these colour schemes. The result is a great, on-trend nail polish that goes on smoothly and with little mess (although that may have been the manicurists doing). I chose the mint green colour, and was really impressed with how long the manicure lasted. I generally don't keep nail polish on due to the fact that when I'm not clacking away on a keyboard, I'm sewing and pinning, and generally my hands don't get treated as well as they should be, but the colour stayed put for well over a week.

Curlique Beauty puts on events like this often; be sure to follow them on facebook to find out when the next one will be!